The real fugue arrives with a somber, halting subject which, as the other voices enter, becomes shrouded in chromaticism and punctuated by edgy dissonances. At moments, the imitative voices resemble a fugue. From the Prelude’s opening bars, a dense contrapuntal conversation unfolds. The companion pieces come near the end of Book II of the Well-Tempered Clavier, the manuscript of which is dated between 17 in the final years of the composer’s life. Epic is a word that could describe Bach’s Prelude and Fugue No.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |